Smidgens
It rolls and rumbles out of you
Like you don’t understand the fuss
But you do, ‘cause you feel the buzz
For it holds your curves and your nerves
Connects you to the low frequency
Keeping you off the high wire
And that damned freaky ass moon
Tells it like it is,
Especially when what it is
Is hard to tell
Holds you motionless while you’re moving
Cries at movies, laughs at crying
It’s a hum that extends out to your fingers
It’s that touch you have that lingers
Oh, don’t get it wrong it can sing a bad song
Blurts at the wrong moment
Flirts with the wrong moment
Wears a queer color of eyeshadow
Can even be downright shallow
It’s that smudge you’re marked with
Can even throw a big, juicy, fat fit
But it’ll dig down with you for the long term, the big view
It says,
“If I were you, you’d be me
We’re made for each other, you see”
It’s in your pocket like lint
You had better get used to it
So, give it all the love you’ve got
For it’s in the shape of you, is it not?
Love this, Elan! Beautifully written.
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I love this. The language. The cadence. Perfect!
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Wow! A person not knowing English but still able to read this out loud would still appreciate a rhythm that reaches out to grab the reader.
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Superb poem.I loved it.
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Wow, Elan. Marvelous. Again.
XxX
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The poem has a vibe, as we used to say. More to us all than meets the eye, for sure …
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Modal jazz is misunderstood. Kandri Golpanath here is what I call mono-modal, especially considering the Alaap, then the tala. Coltrane took modes to another level. I’m partial to Sanders, however, who was closer to mono-modal improvisation. I saw Golpanath with his amazing violist sometime in the near past with a version of this group.
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I want to see what kind of treasures are in those boxes.
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The picture & poem combination is spookingly fascinating!
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Wonderful, saucy words for soul! I love this.
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Hoo boy! You are among the small elite who recognize Coltrane’s later work. I gobbled those Impulse albums up. Took acid,listened, practiced…attempted to play the records at parties until people ran from me when I appeared. Okay,they are mostly unlistenable under normal circumstances. Can’t help wondering what Trane would have done had he survived. He sort of played himself into a corner I saw Trane five or six times. In Chicago with Archie Shepp. That was insane! They played one note for thirty minutes. I loved it. Your erudition is showing, Elan.
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OK, will do.
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I wrote souls dipped in love …. please read that too
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Looooovvvvveeeeeeeeeeeeee 😍😍😍😍😍😍 it
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“That smudge you’re marked with”….yes, I feel that. Incredible writing, powerful.
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Like Coltrane’s “Ascension”
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I’ve long contemplated how one could define “soul”. I think your poem does a good job of it.
I began my creative life as a musician, then sort of migrated into poetry and prose, without leaving the original “soul” of music behind. Let’s just say that one knows it when one connects with it. Soul, that is…
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I love the last line!
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Thanks Art. It’s good to hear from you again. I checked out your poem “Souls” and enjoyed it. If I were to think of a difference between our poems, I would say your poem is about souls and my poem is about soul. Funny, how one letter can change a signifier. Take Care!
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Beautiful. You are consistently one of the most rewarding poets I read. By some coincidence, I’ve written a poem called “Souls”.
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If poetry is IN your soul, it has to come out. You’ve done it here!
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I am honored for your recognition. However, I must decline at this time.
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hey!! nominated u for liebster award
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Love it! Good one! 😀 ❤
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Very contemplative thoughts..😎🥀😎🥀
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This is so abstract! If I were to paint this poem it would look like I was on acid. Lol.
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❤
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