My Father’s Mouse

Museu do Fado
Amália Rodrigues

—-“Is it her singing that enchants us or is it not rather the solemn stillness enclosing her frail little voice?” -Franz Kafka

I know the place he visits…those melodies. Songs like children that make sure you never forget your heart.

I’ve tangled with them, led others to wrestle with them…let them run lose in streets…bare… with lovers and lost loves, even ones who harm you as they love you so deep that it seems you bleed internally.

For them. You do.

This I know…

Once a song enters you, you’re not responsible for the havoc or desire it creates.

I watch old themes take him.

Not down, not up, but into the sphere the singer knows and she knows this only when she’s singing.

She is Josephine? Amália? Their children?

Yes, but no.

They’re in all of us who have touched hearts…ran with them and away from them.

So, both.

That’s the closest of times… when we’re all singers, runners, damned lovers.

Lucky lovers.

Lucky to have so much damned heart, unrequited to the point of passion…

Then compassion. The heart’s last look at itself.

That child. That melody.

 

 

 

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Tough Daylight

Chiado District, Lisbon Portugal, May 2019. (Click on image to enlarge.)

 

 

More images can be found here.

 

Lone

Click on image to enlarge. Lisbon Portugal, May 2019

 

 

(An Elan longread available here.)

Ripple

Branches, once a small bridge, lie over missing mud, lose their original meaning. Now, a hard turf sits like a soft concrete, an uneven glaze dried upon them.

The branches are caked, bricks in dirt, an ancient architecture.

I see the trail, in its post-primal state, its age, its meanings, wrinkles in dryness, a rough, hardened dialect.

The early heat plays tricks on the forest, taunts, beats, punishes.

Shadows crawl among dirt and wind, forming in the beams of sunlight, lose themselves, traveling the ripples. I was told never trust a shadow.

Beetles, desperate, walk across the refracting dirt, risk crossing daylight, hoping shadows will fool the birds.

A slug, not so lucky, small glob of goo, stuck ’til the sun takes all.

Trilliums, sluggish, darkened, carry a glint of hope. Their petals a fragile strength.

Nothing but the wind hints at moisture, A jet’s noise pierces the leaves’ puzzle.

And looking up, I lose the trail, falling, letting the camera fly,

then a cramp, my leg won’t move. All movement slowed.

I hear the skid of the camera, see the dry dirt on my knee, palms, elbows.

A cooling sweat enwraps me, dries quickly, my arms like branches, caked, with an uneven glaze.

Lying face up on the trail, like a beetle, a slug, a trillium, a shadow.

I look at the shades of green, of the trees above me, uncommon are the browns and yellows, so early.

Two walking by me, either from here or nowhere, lovers perhaps, offer no assistance…that’s when I know I’m a shadow, a slug, a beetle.

She walks by, wearing only a rust-colored dress, barefoot. Gives me a handkerchief, a sip of water, she does not smile.

That’s when I know I’m human. My leg begins to move.

I move with the ripple, my skin past dust, still arid in the act of movement.

The bare wind hurries us into each other.

 

Water Wars

Reservoir #5

Click on image to enlarge.

More images found here.

 

 

 

Pumpkin And Mice

She’s cold.

She steals a shirt. pulling it over her body, glazed in sweat, half dry, half oily. No one will touch her, not even herself.

She’s attracted to a sweatshirt hanging on a rafter, yanking on it with her arms high in the air. Her tugging becomes a dance, the sweatshirt is her partner. She twirls, dips in rhythm. They’re melodic.

Motorhead’s Ace of Spades grips the air, loud, somewhat distorted.

The wire coat hanger holding the sweatshirt gives way.

She clutches the sweatshirt and the broken hanger, stuffing them under her arms, along with a piece of Styrofoam, an empty detergent jug, plus a dozen money transfer receipts from Western Union. None of the receipts have been filled out.

Her teeth are a magical white as if the tooth fairy had cast a spell on her teeth. She smiles a lot. Her teeth are blessed.

A cop speaks a foreign language into his radio. He knows who she is. He doesn’t know her name.

She understands his language by watching his movements, drops the sweatshirt. The hanger makes no sound.

He walks her out of the shop into the just-before-midnight air, where breezes dip down from Alaska.

An orange van, non-descript, no markings, stops in front of her. She gets in, smiling, like she’s getting a lift to another part of town.

As she gets into the van, one dirty white slipper falls off her foot.

I write up a receipt, pay for the shirt, get a new hanger for the sweatshirt, place it back up on the rafter.

I pick up the slipper, keep it behind the counter. Maybe she’ll come back for it.

 

The Harvester and the Crone

He was an old orchard, still in the shape of rows. But time had scattered his buzzing and his feet made noise upon layers of fallen twigs. Still, he searched, moved with purposeful steps, noise and all.

She knew he would find her. He wanted to find his lost one. He’ll want her to kiss him like in the old days, when mornings were late and cars passed by on their way to work, headlights on.

She wouldn’t, couldn’t, kiss him again. Being close to him, an aura away, would feel strange, familiar in an unsettling way. Best to see him in the night. If he surprises her, let it be during the night.

She knew how he worked. He potted hard seeds, watched them sprout and with careful interest, plucked them before maturity. He harvested and ate tender plants.

He had a power of light. His house was an array of lights, growing lights, natural light, night lights, always on in one way or another. He said, “I want to see, always, all of the time. I always want to be clear on things.”

 He could see, but see what? She remembered him looking at her inside his house of light, with depthless eyes, irises with holes inside them, as if they were wells that had no bottom.

Why wasn’t there light inside his eyes? Perhaps that’s why she had loved him then. She wanted the darkness to surface, the hidden things he refused to show, a truth, an honesty, no matter how dim that reality would be. But he entangled her in light.

She escaped his little greenhouse, bolting towards unknown empty lots of life, streets, dirty kids with big hearts, confused adults with compassion worn on their sleeves. People blunt with darkness. It’s inside those living empty spaces where she became fascinated by the littlest scraps she found. Things she could see in the dark. Not one shape was like another and darkness let shadows move, whole lifespans, even death, move. “Funny,” she thought, “how we brush away the truth by using light.”

She knew he was coming. She sensed movement, the oceans rose, the forests burned, cities bulged. She would smell him before he showed himself. He smelt of old fruit, searching for the young bud, the vulnerable shoot reaching for the sun. He pretended to be the sun, an old trick of his.

 

She will touch him, not with her lips, but with words aligned by the absence of light. She will let her wings unfold, made of a shiny transparent film. She had bloomed. She was beyond seeds.

 

 

 

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